Uniton Swissecho 2000 Spring Reverb

I got the Swissecho 2000 a while back via an online auction in Switzerland. The seller claimed it to be used, but fully
working. As I realized after the deal, the unit was broken to a certain extent, so loud crackle was to be heard when
moving the unit a bit, but basically when hitting it, the reverb was to be heard and the delay section seemed to work
as well. Luckily the seller agreed to reduce the price, so in the end I had paid CHF 100 for the unit.

I found out that the company Uniton is still existing and located in CH-8105 Regensdorf, which is quite close to where
I am living. I was able to get a technical contact, Mr. Genaro Garcia, from whom I received the product manual and
technical service notes & schematics.

To get the unit back to work, I had to replace the cabling from the electronics to the reverb tank (quite a nightmare,
I had to be very careful not to ruin the very thin wires to the spring drivers and receivers). I exchanged all the electrolytic
capacitors (except those on the memory boards from the delay) and finally one of the TBA231 used as preamplifier
for the signal from the reverb tank on each channel.

After calibration the unit is working like a charm now. Sometimes it needs a power cycle to get the delay section
working properly. But hey, the unit is more than 40 years old, so what...


Specification

The Swissecho 2000 is a true stereo spring reverb with a bucket brigade delay (BBD) section to simulate the pre-delay
and kind of early reflections missing in normal spring reverb systems. The BBD used is a TDA1022, actually 24 of
them. They provide a delay time of 300 ms and by using a clock rate of 20.480 kHz a frequency response of about up
to 10 kHz. The unit was sold with 12
TDA1022 as normal configuration, by adding some additional boards it could be extended.

The reverb tank uses 2 springs folded in a double Z configuration. The case is shielded by an anti-magnetic layer,
most likely mu-metal. The tank as such looks pretty much like the tank used in the AKG BX15 reverb. I don't know
if Uniton or AKG designed the tank, or who built them.

When comparing the feature set of the Swissecho 2000 and the BX15, the main difference is the lack of delay on
the BX15, while the Swissecho 2000 is using unsymmetrical input/output, where the BX15 features
symmetrical inputs (electronic) and outputs (transformer).


Additional Info from Mr. Garcia

There was no collaboration between AKG and Uniton, but the reverb tank for the Swissecho 2000 was indeed produced by
AKG and identical to the one from the BX15.

The original design for the
Swissecho 2000 was done by Neutrik.

Uniton built amps (like the de Luxe 966 or 566) mixers, speaker cabinets, microphones etc. under the Swissecho brand.
Uniton was distributor for the company ALLSOUND for guitar amps like the G 3030 or G 3040.

Today's compony Uniton AG was named earlier "Armin Heers Apparatebau", later Uni-Ton AG untill 1963.

Selmer had a tape echo in their program named Swissecho, if there is a relation to Uniton is not fully clear. Uniton most
likely distributed amps and echo machines from the USA and UK.

Front Panel

Delay Section:

Power Switch, Supply LED, Delay Time, Bass, Treble, Multi Echo (Feedback),
Mode (Delay+Reverb, CH1 Reverb/CH2 Reverb + Delay, Reverb Only)

Reverb Section (2 Channel):

Limiter Active LED, Bass, Treble, Mixing (Delay/Reverb mix), Intensity (Dry/Wet mix) Reverb Time

Back Panel

Input Channel 1: Level In 1 Trim Pot, Input Neutrik, Input 6.3 mm TRS Mono
Input Channel 2: Level In 2 Trim Pot, Input Neutrik, Input 6.3 mm TRS Mono

Output Channel 1: Level Out 1 Trim Pot, Output Neutrik, Output 6.3 mm TRS Mono
Output Channel 2: Level Out 2 Trim Pot, Output Neutrik, Output 6.3 mm TRS Mono

Remote Switch Connector 6.3 mm TRX - Effect On/Off

Fuse, Power Connector


Documentation

User Manual
Service Manual & Schematics


Audio Samples

Clarinet sample unprocessed
Female vocal sample unprocessed

Clarinet sample with reverb
Female vocal sample with reverb

Processed samples are repeated four times:

  - Reverb Only 2.5 sec
  - Delay + Reverb (100 ms + 1.5 sec) no Feedback
  -
Delay + Reverb (300 ms + 3.5 sec) no Feedback
  -
Delay + Reverb (300 ms + 3.5 sec) Feedback close to self oscillation

Distorted guitar sample with delay
Drum pattern with delay

During recording various parameters have been changed, i.e. delay time, bass, treble, feedback


Comparison to other Spring Reverbs


Clarinet sample with reverb (Korg Stage Echo SE-200)
Clarinet sample with reverb (ElectroVoice EVT 4500 Tapco Reverberation System)
Female vocal sample with reverb (Korg Stage Echo SE-200)
Female vocal sample with reverb (ElectroVoice EVT 4500 Tapco Reverberation System)

The samples with the Korg SE-200 make use of the tape delay of the SE-200 to simulate pre-delay. Here the sound is
quite typical for simple reverb tanks, clangy and with metallic touch to it.

The EVT 4500 features a continuously variable decay time, in the clarinet example the first repeat features the shortest
time available, second repeat the with longest. Sound is brighter and less clangy and less metallic than SE-200.



Comparison to Guitar Amps with Spring Reverbs

The same samples as above are used and fed into same Guitar Amps with neutral and clean settings, first the dry
version to hear how the amp and speaker influence the sound, then the amp with fully engaged reverb. In case of the
Seymour Duncan amp the drive was raised to get a distorted sound.


Acoustic Model 160 Head - 2x12 Celestion Greenback Speaker Cabinet

Clarinet sample dry
Clarinet sample with reverb
Female vocal sample dry
Female vocal sample with reverb
 

Roland Cube 20

Clarinet sample dry
Clarinet sample with reverb
Female vocal sample dry
Female vocal sample with reverb


Seymour Duncan 60 Watt Convertible

Clarinet sample dry
Clarinet sample with reverb
Clarinet sample with distortion and reverb
Female vocal sample dry
Female vocal sample with reverb
Female vocal sample with distortion and reverb


Pictures

Figure 1: Swissecho 2000 Front

Figure 2: Swissecho 2000 Back - damping isolation and rubber support can be seen


Figure 3: Swissecho 2000 Inside - left 6 cards with 6 TDA1022 each for the delay, right 2 PCBs on top of each other for reverb amp and mix


Figure 4: Swissecho 2000 Inside from the back


Figure 5: Swissecho 2000 Inside - detail of the delay memory bank


Figure 6: Swissecho 2000 Inside - detail of the reverb amplifier and mixer section, inputs on the right side


Figure 7: Swissecho 2000 Reverb Tank - showing some signs of time


Figure 8: Swissecho 2000 Reverb Tank - mu-metal shielding


Figure 9: Swissecho 2000 Reverb Tank - 2 springs in double Z configuration (compare Picture from AKG BX15 Reverb Tank)


Figure 10: Swissecho 2000 Magnet and Spring Driver


Figure 11: Swissecho 2000 Magnet and Spring Driver - the little red coil and the thin copper wires to it can be seen


Additional Info on AKG BX15

BX 15 User Manual 
Blog Entry on AKG BX15 incl. Sound Samples